Four Sided Triangle

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(4/10) In a nutshell: Hammer’s first real deep plunge into science fiction in 1953 has two men cloning the woman they are both in love with. Skipping lightly over anything that might require any deeper thought, the film squanders nearly all interesting concepts of the premise, and instead settles for a dull melodrama. Terence Fisher was still awaiting his breakthrough as horror auteur, and does a good job with filming and direction, and the British movie stars American scandal starlet Barbara Payton and Liam Neeson’s doppelgänger, both doing a good job in their roles.

Four Sided Triangle (1953). Directed by Terence Fisher. Written by Terence Fisher and Paul Tabori. Based on the novel 4-Sided Triangle by William F. Temple. Starring: Barbara Payton, James Hayter. Stephen Murray, John Van Eyssen. Produced by Michael Carreras and Alexander Paal for Hammer Film Productions. IMDb score: 5.8

Stephen Murray, Barbara Payton and John Van Dyke in Four Sided Triangle.

Stephen Murray, Barbara Payton and John Van Eyssen in Four Sided Triangle.

Before Hammer Films found their great money cow in the colourful, lewd revamps of classic Universal horror films, the small British movie company took a few stabs at science fiction, which was increasingly popular overseas. The studio had already dabbled in sci-fi in the proto-James Bond films Dick Barton Strikes Back (1949, review) and Dick Barton at Bay (1951, review), but Four Sided Triangle, released in May 1953, was the studio’s first all-out sci-fi movie, although still rooted in the old horror tropes of Frankenstein and Dr. Jekyll and Mr. Hyde. Continue reading

Robot Monster

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(5/10) In a nutshell: Often named as one of the worst movies ever made, this 1953 cult gem is actually better than its reputation, despite the super-low budget, the sloppy direction, the non-existent sets, the complete lack of logic and the truly bewildering script. It makes up for this with ambition, imagination and soul, and a huge amount of talent both in front and behind the camera. And an obese robot gorilla in a diving helmet that gets an existential crisis while trying to eliminate the last seven people on Earth with a death ray that shoots soap bubbles.

Robot Monster (1953). Directed by Phil Tucker. Written by Wyatt Ordung (and a shady furniture salesman). Starring: George Nader, Claudia Barrett, Selena Royle, John Mylong, Gregory Moffett, Pamela Paulson, George Barrows, John Brown. Produced by Phil Tucker for Three Dimension Pictures. Tomatometer: 31 %. IMDb score: 2.9

Robot Monster in all his poetic beauty.

Robot Monster in all his poetic beauty.

There are bad movies and then there is Robot Monster – a film nearly as bad and nearly as loved as Ed Wood’s Plan 9 from Outer Space (1959). It is often cited as a ripoff of standard fifties sci-fi films regarding aliens coming to Earth to wreak havoc, but it isn’t all that simple. In 1953 there simply hadn’t been many of these movies made. There was a string of such films released in short succession during the spring and early summer of 1953, but with its release date of June 10, 1953, Robot Monster was definately a forerunner. Continue reading

Where Did You Get This?

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(5/10) In a nutshell: This 1952 movie, Min aina laka haza? in Arabic, has the distinction of being the first science fiction movie of Egypt. Starring four of the biggest movie stars of the country and directed by the B movie specialist and effects innovator Naizi Mostafa, this film is inspired by Universal’s Invisible Man films, but plays out as a romantic musical comedy. A fun, light-hearted and well-made popcorn movie that is enjoyable even without understanding the dialogue.

Where Did You Get This? (1952). Directed by Niazi Mostafa. Written by Ali El Zorkani and Muhammad Fawzi. Starring: Muhammad Fawzi, Madiha Yousri, Farid Shawqi, Ismail Yasseen, Hassan el Baroudi, Zeenat Sidqi. Produced by Muhammad Fawzi for Film Company Muhammad Fawzi. IMDb score: 5.0

Muhammed Fawzi becomes invisible in Niazi Momammad's Where Did You Get This?

Muhammed Fawzi becomes invisible in Niazi Momammad’s Where Did You Get This?

This is a rare entry on this blog of Arabic science fiction cinema, which is certainly not a huge subgenre, but nevertheless not to be completely overlooked. As a prosperous, stable and fairly secular country, Egypt was long the dominant film producer of the Arab countries and the golden age of Egyptian cinema lasted from the forties to the sixties. To a modern viewer, the liberal take on violence and sex in of some of the genre films of the golden age is surprising. Where Did You Get This? is in comparison a rather timid little film, and like much of the genre cinema of Egypt in the day, it was a blatant ripoff Hollywood’s genre films, in this case the Invisible Man franchise by Universal. Continue reading

Tales of Tomorrow

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(6/10) In a nutshell: Tales of Tomorrow aired on ABC in the US from 1951 to 1953 and was the first exclusive science fiction anthology series. Adult, intelligent and genuinly unsettling scripts are intermingled with more staple mystery and sci-fi fare. The live broadcast sets limits for direction, but genius camera work and editing sometimes surpass these limits. Leslie Nielsen dominates the cast, and watch out for the masterclass in method acting between Rod Steiger and James Dean.

Tales of Tomorrow (1951-1953). Created by Mort Abrahams and Theodore Sturgeon. Directed by Don Medford, Charles Rubin, et. al. Written by Man Rubin, Mel Goldberg, Frank de Felitta, Alvin Sapinsley, David E. Durston, Max Ehrlich, Gail Ingram, Theodore Sturgeon, Fredric Brown, Henry Kuttner, et. al. Starring: Leslie Nielsen, Cameron Prud’Homme, Walter Abel, Edgar Stehli, Theo Goetz, Olive Deering, Edith Fellows, Bruce Cabot, Rod Steiger, Gene Lockhart, Una O’Connor, Boris Karloff, Eva Gabor, Veronica Lake, Joanne Woodward, James Dean, Lon Chaney Jr, James Doohan, Paul Newman, et. al.  Produced by George F. Foley Jr, Mort Abrahams, Richard Gordon for George F. Foley, distributed by ABC. IMDb score: 7.4

Opening credits for Tales of Tomorrow.

Opening credits for Tales of Tomorrow.

I’ve been reviewing a lot of television lately: there was the first televised sci-fi series, Captain Video and His Video Rangers (1949, review), the first anthology series featuring science fiction, Lights Out (1949, review), but now we get to the third one, and the last one I’ll be reviewing in a while: Tales of Tomorrow, which ran on ABC from 1951 to 1953. This has the distinction of being the first television anthology series to feature exclusively science fiction, foreshadowing legendary TV shows like The Twilight Zone (1959-1964) and The Outer Limits (1963-1964). Continue reading

Lights Out

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(5/10) In a nutshell: Arguably the first anthology TV show to feature science fiction, Lights Out was adapted from a popular horror radio show in the US in 1949. Broadcast live with a varying degree of quality, very light on sci-fi and quite heavy on traditional ghost stories. Lights Out sported an impressive roster of actors, but the direction and originality never quite reached the same quality as rivalling shows that popped up in the early fifties, like Out There or Tales of Tomorrow.

Lights Out (1949-1952). Directed by William Corrigan, Laurence Schwab Jr, Kingman T. Moore, Grey Lockwood, Fred Coe, et. al. Written by: A.J. Russell, George Lefferts, Fred Coe, Ernest Kinoy, Douglas Parkhurst, Wyllis Cooper, Arch Oboler, et. al. Starring: Frank Gallop, Jack La Rue, Mercer McLeod, Leslie Nielsen, Gregory Morton, John Newland, Peter Capell, Alfreda Wallace, Richard Derr, Ross Martin, John Forsythe, Burgess Meredith, John Carradine, Vaughn Taylor, Grace Kelly, George Reeves, Veronica Lake, Basil Rathbone, Anne Bancroft, Anne Francis, Boris Karloff, Anthony Quinn, Melvyn Douglas, Vincent Price, Produced by Herbert B. Swope, Fred Coe for NBC. IMDb rating: 7.3

Frank Gallop as the eerie presenter of Lights Out.

Frank Gallop as the eerie presenter of Lights Out.

Not really a science fiction show per se, Lights Out can still be credited as the first anthology show to bring sci-fi to the small screen. You could debate whether it was in fact the first science fiction show or not, but I’m going with the latter, and I’ll explain why below. Continue reading

House of Dracula

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(4/10) In a nutshell: Universal’s 1945 film marks the end of the era of the original Universal monsters, and at the same time the end of the American sci-fi film of the forties, more or less. Lon Chaney Jr. and John Carradine star alongside Onslow Stevens and Poni Adams in this rushed, inconsistent last huzzah for the monsters. Despite flashes of originality, it feels as if we are re-heating the same TV dinner for the umpteenth time as Frankenstein’s monster is once again found, buried in quicksand in a cave under a castle after having six building collapse on him in previous films, Dracula re-emerges after having been destroyed by the sun’s rays a third time in the last film, and we get to wonder if the Wolf Man will cheat death for a third time.

House of Dracula. (1945). Directed by Erle C. Kenton. Written by Edward T. Lowe Jr, George Bricker, Dwight V. Babcock. Starring: Lon Chaney Jr, John Carradine, Onslow Stevens, Lionel Atwill, Martha O’Driscoll, Jane Adams, Ludwig Stössel, Glenn Strange, Skelton Knaggs.  Produced by Joseph Gershenson and Paul Malvern for Universal. Tomatometer: 56 %. IMDb score: 5.8

John Carradine as Dradula and Martha O'Driscoll as his love interest.

John Carradine as Dradula and Martha O’Driscoll as his love interest.

This here is the movie that ended the original Universal monster franchise, unless you count The Creature of the Black Lagoon (1954) to the same series. Personally I consider it more of a symptom of the second wave of monster films kicked off by the science fiction craze of the fifties, even though the films have since been repackaged in DVD boxes along with the original monster films. It was also the last film that featured the original Universal monsters before they began to get spoofed in the Abbot & Costello films, which you won’t see reviewed on this blog. Continue reading

The Monster Maker

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(4/10) Released in 1944, this low-budget mad scientist entry from PRC features some good acting by seasoned veterans and looks like the studio actually gave a crap about how it turned out. The script has some merit, but unfortunately it doesn’t hold up for a whole hour of film.

The Monster Maker. Directed by Sam Newfield. Written by Larry Williams, Pierre Gendron, Martin Mooney, Nell O’Day. Starring: J. Carrol Naish, Ralph Morgan, Tala Birell, Wanda McKay, Terry Frost, Glenn Strange. Produced by Sigmund Neufeld for Producers Releasing Corporation. IMDb score: 4.7

J. Carrol Naish, Crash Corrigan and Tala Birell in a promo shot for The Monster Maker.

This is one of those lower-than-low budget mad scientist films that were made in the forties, one feels, simply to fill a film-shaped hole in a program. But this isn’t the shittiest of the bunch, and it has its moments, even a small twinkle of originality attached to it. And it stars J. Carrol Naish as a mad scientist, so that’s reason enough to watch it. Continue reading