Tales of Tomorrow

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(6/10) In a nutshell: Tales of Tomorrow aired on ABC in the US from 1951 to 1953 and was the first exclusive science fiction anthology series. Adult, intelligent and genuinly unsettling scripts are intermingled with more staple mystery and sci-fi fare. The live broadcast sets limits for direction, but genius camera work and editing sometimes surpass these limits. Leslie Nielsen dominates the cast, and watch out for the masterclass in method acting between Rod Steiger and James Dean.

Tales of Tomorrow (1951-1953). Created by Mort Abrahams and Theodore Sturgeon. Directed by Don Medford, Charles Rubin, et. al. Written by Man Rubin, Mel Goldberg, Frank de Felitta, Alvin Sapinsley, David E. Durston, Max Ehrlich, Gail Ingram, Theodore Sturgeon, Fredric Brown, Henry Kuttner, et. al. Starring: Leslie Nielsen, Cameron Prud’Homme, Walter Abel, Edgar Stehli, Theo Goetz, Olive Deering, Edith Fellows, Bruce Cabot, Rod Steiger, Gene Lockhart, Una O’Connor, Boris Karloff, Eva Gabor, Veronica Lake, Joanne Woodward, James Dean, Lon Chaney Jr, James Doohan, Paul Newman, et. al.  Produced by George F. Foley Jr, Mort Abrahams, Richard Gordon for George F. Foley, distributed by ABC. IMDb score: 7.4

Opening credits for Tales of Tomorrow.

Opening credits for Tales of Tomorrow.

I’ve been reviewing a lot of television lately: there was the first televised sci-fi series, Captain Video and His Video Rangers (1949, review), the first anthology series featuring science fiction, Lights Out (1949, review), but now we get to the third one, and the last one I’ll be reviewing in a while: Tales of Tomorrow, which ran on ABC from 1951 to 1953. This has the distinction of being the first television anthology series to feature exclusively science fiction, foreshadowing legendary TV shows like The Twilight Zone (1959-1964) and The Outer Limits (1963-1964). Continue reading

Lights Out

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(5/10) In a nutshell: Arguably the first anthology TV show to feature science fiction, Lights Out was adapted from a popular horror radio show in the US in 1949. Broadcast live with a varying degree of quality, very light on sci-fi and quite heavy on traditional ghost stories. Lights Out sported an impressive roster of actors, but the direction and originality never quite reached the same quality as rivalling shows that popped up in the early fifties, like Out There or Tales of Tomorrow.

Lights Out (1949-1952). Directed by William Corrigan, Laurence Schwab Jr, Kingman T. Moore, Grey Lockwood, Fred Coe, et. al. Written by: A.J. Russell, George Lefferts, Fred Coe, Ernest Kinoy, Douglas Parkhurst, Wyllis Cooper, Arch Oboler, et. al. Starring: Frank Gallop, Jack La Rue, Mercer McLeod, Leslie Nielsen, Gregory Morton, John Newland, Peter Capell, Alfreda Wallace, Richard Derr, Ross Martin, John Forsythe, Burgess Meredith, John Carradine, Vaughn Taylor, Grace Kelly, George Reeves, Veronica Lake, Basil Rathbone, Anne Bancroft, Anne Francis, Boris Karloff, Anthony Quinn, Melvyn Douglas, Vincent Price, Produced by Herbert B. Swope, Fred Coe for NBC. IMDb rating: 7.3

Frank Gallop as the eerie presenter of Lights Out.

Frank Gallop as the eerie presenter of Lights Out.

Not really a science fiction show per se, Lights Out can still be credited as the first anthology show to bring sci-fi to the small screen. You could debate whether it was in fact the first science fiction show or not, but I’m going with the latter, and I’ll explain why below. Continue reading

House of Dracula

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(4/10) In a nutshell: Universal’s 1945 film marks the end of the era of the original Universal monsters, and at the same time the end of the American sci-fi film of the forties, more or less. Lon Chaney Jr. and John Carradine star alongside Onslow Stevens and Poni Adams in this rushed, inconsistent last huzzah for the monsters. Despite flashes of originality, it feels as if we are re-heating the same TV dinner for the umpteenth time as Frankenstein’s monster is once again found, buried in quicksand in a cave under a castle after having six building collapse on him in previous films, Dracula re-emerges after having been destroyed by the sun’s rays a third time in the last film, and we get to wonder if the Wolf Man will cheat death for a third time.

House of Dracula. (1945). Directed by Erle C. Kenton. Written by Edward T. Lowe Jr, George Bricker, Dwight V. Babcock. Starring: Lon Chaney Jr, John Carradine, Onslow Stevens, Lionel Atwill, Martha O’Driscoll, Jane Adams, Ludwig Stössel, Glenn Strange, Skelton Knaggs.  Produced by Joseph Gershenson and Paul Malvern for Universal. Tomatometer: 56 %. IMDb score: 5.8

John Carradine as Dradula and Martha O'Driscoll as his love interest.

John Carradine as Dradula and Martha O’Driscoll as his love interest.

This here is the movie that ended the original Universal monster franchise, unless you count The Creature of the Black Lagoon (1954) to the same series. Personally I consider it more of a symptom of the second wave of monster films kicked off by the science fiction craze of the fifties, even though the films have since been repackaged in DVD boxes along with the original monster films. It was also the last film that featured the original Universal monsters before they began to get spoofed in the Abbot & Costello films, which you won’t see reviewed on this blog. Continue reading

The Monster Maker

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(4/10) Released in 1944, this low-budget mad scientist entry from PRC features some good acting by seasoned veterans and looks like the studio actually gave a crap about how it turned out. The script has some merit, but unfortunately it doesn’t hold up for a whole hour of film.

The Monster Maker. Directed by Sam Newfield. Written by Larry Williams, Pierre Gendron, Martin Mooney, Nell O’Day. Starring: J. Carrol Naish, Ralph Morgan, Tala Birell, Wanda McKay, Terry Frost, Glenn Strange. Produced by Sigmund Neufeld for Producers Releasing Corporation. IMDb score: 4.7

J. Carrol Naish, Crash Corrigan and Tala Birell in a promo shot for The Monster Maker.

This is one of those lower-than-low budget mad scientist films that were made in the forties, one feels, simply to fill a film-shaped hole in a program. But this isn’t the shittiest of the bunch, and it has its moments, even a small twinkle of originality attached to it. And it stars J. Carrol Naish as a mad scientist, so that’s reason enough to watch it. Continue reading

House of Frankenstein

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(4/10) In a nutshell: Universal’s horror stars gang together for the franchise’s second monster bash in a film that is a mix of good and mad. There’s too much going on in a too short period of time, Dracula is thrown by the wayside and the plot holes are big enough to fill a stadium. But there’s also a dash of originality and some first-class acting in this 1944 film.

House of Frankenstein. 1944, USA. Directed by Erle C. Kenton. Written by Curt Siodmak, Edward T. Lowe Jr. Starring: Boris Karloff, J. Carrol Naish, Lon Chaney Jr, John Carradine, Anne Gwynne, Peter Coe, Elena Verdugo, George Zucco, Lionel Atwill, Glenn Strange, Sig Ruman. Produced by Paul Malvern for Universal. Tomatometer: 55 %. IMDb score: 6.2

Glenn Strange, Boris Karloff and Lon Chaney in House of Frankenstein.

Glenn Strange, Boris Karloff and Lon Chaney in House of Frankenstein.

Quick! Give me the five greatest mad scientists of the forties! Did you say Boris Karloff, John Carradine, Lionel Atwill, George Zucco and J. Carroll Naish? Great, now you have them all in one film! This was the second monster mash movie after the success of Frankenstein Meets the Wolf Man (1943, review), starring Lon Chaney Jr, Bela Lugosi and Lionel Atwill. Lon Chaney also turns up in House, again as Larry Talbot/The Wolf Man. The film is sometimes referred to as ”The House of Frankenstein” and sometimes without the prefix. Continue reading

The Mad Ghoul

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(5/10) In a nutshell: Another decent, but not in any way brilliant, mad scientist film from Universal. This 1943 movie is one of the rawer of the horror films from Universal after the enforcement of the Hays code, and basically deals with temporary zombification. Good performances, good makeup, too much operetta, a low budget and a slim script puts this at the middle of the scale.

The Mad Ghoul. 1943, USA. Directed by James P. Hogan. Written by Paul Gangelin, Brenda Weisberg, Hanns Kräly. Starring: David Bruce, Evelyn Ankers, George Zucco, Turhan Bey, Robert Armstrong. Produced by Ben Pivar for Universal. IMDb score: 5.7

Poster from one of the creepier scenes from The Mad Ghoul.

Poster from one of the creepier scenes from The Mad Ghoul.

The crowning achievement of Universal’s horror franchise was The Bride of Frankenstein in 1935, and after that the studio’s output slowly waned in quality. Despite the huge success of The Wolf Man (1941), the horror films were decidedly B movie fare in the forties, as Universal churned out one movie after the other without ever sinking to the abysmal depths of Poverty Row ripoffs, however. A classic example of a forties Universal horror sci-fi film is The Mad Ghoul from 1943. It is filled with modestly talented B actors and has decent production values, and even some original ideas, but still stumbles on the script department as the setup is already all too familiar. Continue reading

Captive Wild Woman

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(5/10) In a nutshell: Director Edward Dmytryk cuts and pastes together a surprisingly coherent and enjoyable tale of a gorilla being turned into a woman by a mad John Carradine in his first mad scientist role. The 1943 film made the mysterious Acquanetta an over-night star, and garnered two sequels, despite the fact that one third of the movie is reused footage from an old lion-taming film.

Captive Wild Woman. 1943, USA. Directed by Edward Dmytryk. Written by Ted Fithian, Neil P. Varnick, Griffin Jay, Henry Sucher. Starring: John Carradine, Evelyn Ankers, Milburn Stone, Acquanetta, Fay Helm, Crash Corrigan, Clyde Beatty. Produced by Ben Pivar for Universal. Tomatometer: 40 %. IMDb score: 5.7

Acauanetta as Cheela the ape woman in Captive Wild Woman.

Acauanetta as Cheela the ape woman in Captive Wild Woman.

Come and see ACQUANETTA the VENEZUELAN VOLCANO as the terrifying APE WOMAN! Watch as she lures men to their death with her savage beauty! That wasn’t a tagline for Captive Wild Woman, I just made it up, but it could well have been. When we think of the Universal monster movies post-1941, we usually think of it as the time when the studio simply milked money out of the series by teaming up their creatures in one bad B film after the other. But this actually wasn’t really the case. In 1943 Universal added yet another monster to its roster, and this time it was a woman, in the form of the exotic and mysterious actress Acquanetta as Cheela the ape woman. Continue reading

Revenge of the Zombies

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(4/10) A good black supporting cast led by comedian Mantan Moreland saves this 1943 film, directed by The Day of the Triffids director Steve Sekely. John Carradine sleepwalks through his second outing as a mad scientist, this time creating zombies out of his staff and even his own wife. The white heroes of the movie are really just killing time between Moreland’s comedy skits.

Revenge of the Zombies. 1943, USA. Directed by Steve Sekely. Written bt Edmond Kelso, Van Norcross. Starring: Robert Lowery, Mauritz Hugo, John Carradine, Mantan Moreland, Veda Ann Borg, Gale Storm, Bob Steele, Madame Sul-Te-Wan, James Baskett, Sybil Lewis, Barry McCollum. Produced by Lindsley Parsons for Monogram. IMDb score: 4.7

Sybil Lewis and Mantan Moreland are two of the good things about this 1943 zombie horror comedy.

Sybil Lewis and Mantan Moreland are two of the good things about this 1943 zombie horror comedy.

Just off one Monogram picture, the abysmally bad The Ape Man (1943, review), starring Bela Lugosi, I jump right on to the next B cheapo. This time the villain is played by Lugosi’s and Boris Karloff’s successor as something of mad scientist royalty (although the title was hotly contested for in 1943), John Carradine. This was his second outing as a mad scientist, the first being Captive Wild Woman (1943, review). Continue reading

The Ape Man

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(1/10) In a nutshell: Notorious B-quickie director William ”One-Shot” Beaudine and Poverty Row studio Monogram bring us Bela Lugosi in one of his worst roles ever in this 1943 ape man film, much more interesting for its director and actors than for the film itself.

The Ape Man. 1943, USA. Directed by William Beaudine. Written by Karl Brown, Barney A. Sarecky. Starring: Bela Lugosi, Louise Currie, Wallace Ford, Henry Hall, Minerva Urecal, Emil Van Horn. Produced by Jack Dietz & Sam Katzman for Monogram. IMDb score: 4.5

Loiuse Currie and Bela Lugosi in the 1943 cheapo The Ape Man.

Loiuse Currie and Bela Lugosi in the 1943 cheapo The Ape Man.

So finally Bela Lugosi makes it to my list of terrible movies. I guess it was just a matter of time, as he already dodged a bullet with The PRC cheapo The Devil Bat (1941, review). This here is another Poverty Row cheapo churned out in a matter of days, and this time there aren’t many redeeming qualities to the movie. The Monogram movie The Ape Man, telling the story of a scientist who turns himself into an ape and must murder to turn himself back into a human, has few positive notes. Continue reading

Frankenstein Meets the Wolf Man

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(3/10) In a nutshell: The first of Universal’s monster mashes, made in 1943, sees the studio finally dropping the ball in their monster franchise. What could have been a decent, fun B horror flick is ruined by Univseral first casting Bela Lugosi as the Frankenstein monster and then doing its best to erase him from the film.

Frankenstein Meets the Wolf Man. 1943, USA. Directed by Roy William Neill. Written by Curt Siodmak. Sort of suggested by Mary Shelley’s novel Frankenstein. Starring: Lon Chaney Jr, Bela Lugosi, Ilona Massey, Patric Knowles, Maria Ouspenskaya, Lionel Atwill, Dennis Hoey, Rex Evans, Dwight Frye. Produced by George Waggner for Universal. Tomatometer: 25 %. IMDb score: 6.5

Bela Lugosi and Lon Chaney Jr. have a standoff in a promo shot for Frankenstein Meets the Wolf Man.

Bela Lugosi and Lon Chaney Jr. have a standoff in a promo shot for Frankenstein Meets the Wolf Man.

By 1943 Universal’s Frankenstein franchise had lost all roots to Mary Shelley’s Frankenstein apart from the name. Scriptwise there isn’t even much proof that it is part of the same francise as the original 1931 Frankenstein (review). There isn’t even a Dr. Frankenstein in the film (on screen anyway). The original Dr. Frankenstein, Colin Clive, passed away in 1937 and one must say that it is to the studio’s credit that they didn’t try to replace him with another actor (apart from a brief hallucination sequence in The Ghost of Frankenstein (1942, review), but instead had not one, but two, sons of Frankenstein take up the mantle, Basil Rathbone and Cedric Hardwicke. One might suppose that Universal thought that a third son might be pushing it. We do, though, get a granddaughter of Frankenstein in the shape of Ilona Massey, but she is no doctor (she’s a woman, d’uh). Continue reading