The Gamma People

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(3/10) Future James Bond producer Albert Broccoli and Irving Allen masterminded this 1956 British genre mashup about two journalists fighting zombies and gamma ray cannons in a made-up European micro state. Individual parts work fine, but the balance between horror and comedy doesn’t gel, and too many different ideas and concepts compete for space and time. Features sex symbol Jocelyn Lane and Hogwarth’s Sorting Hat.

The boys of Gudavia getting Dr. Boronski’s gamma ray treatment.

The Gamma People (1956, UK). Written by John W. Gossage, John Gilling, Louis Pollock, Robert Aldrich. Starring: Paul Douglas, Leslie Phillips, Eva Bartok, Walter Rilla, Philip Leaver, Michael Caridia, Jocelyn Lane. Produced by John W. Gossage for Warwick Film Productions.
IMDb rating: 5.3/10 Tomatometer: N/A Metascore: N/A.

Poster.

This is a project that was long in the making and met a number of difficulties and should, perhaps, have been abandoned. However, the film finally came to fruition January 1956, and the result is one of the more bizarre science fiction films of the fifties. Set in a fictional European micro state, it follows two unlucky journalists uncovering the plot of a mad scientist creating his own private super race with the help of a radioactive ray. The concept of the death ray was almost old hat when Boris Karloff and Bela Lugosi teamed up around it in The Invisible Ray (1935, review) twenty years earlier, and certainly must have felt archaic in 1956. It doesn’t help that the film can’t decide whether to be a comedy or a horror film. Continue reading

Una movida chueca

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(4/10) Comedian Clavillazo stars in this Mexican 1956 underdog sci-fi comedy about a man who gets an injection which makes him predict the future in his dreams. While a decent comedy for the first half, it grinds to a halt halfway through. Inconsequential cardboard characters produce talking heads in static framing, and the production values are poor.

Yolanda Varela and Antonio "Clavillazo" xxx in Una movida chueca.

Yolanda Varela and Antonio “Clavillazo” Espino in Una movida chueca.

Una movida chueca (1956, Mexico). Directed by Rogelio A. Gonzáles. Written by Fidel Ángel Espino, Carlos Orellana, Manuel Tamés hijo, Pedro de Urdimalas. Starring: Antonio Espino (Clavillazo), Yolanda Varela, Raúl Ramirez, Dolores Camarillo, Óscar Ortiz de Pinedo, Luís Aragón, Arturo Soto Rangel, Pedro de Aguillon. Produced by Gregorio Walerstein for Filmex.
IMDb rating: 5.9/10. Tomatometer: N/A. Metascore: N/A.

Poster.

Poster.

Although Mexico has never been one of the main exporters of science fiction movies, the country had up until 1956 produced a number of sci-fi films on low intensity since the thirties, starting with Los muertos hablan in 1935 (review). By 1956 the country had produced two sci-fi comedies, the dreadful Buster Keaton vehicle Boom in the Moon (1946, review) and the much better El supersabio (1948, review), starring Mexico’s biggest movie star, comedian Cantinflas. Yet another one came along in the early days of January 1956, this time with a fellow called Clavillazo in the lead; Una movida chueca.

The film doesn’t seem to have a designated English title, but ”movida” means ”a move” or movement, and ”chueca” can apparently mean a number of things, but seems to be used to describe something that is crooked or twisted. ”Movida chueca” is, according to one source, used in the same way as ”monkey business”, so I would suppose that Monkey Business would be a fitting name for the movie. It’s an imprecise, almost nonsensical title that has a sense of comedy about it. Continue reading

The Quatermass Xperiment

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(7/10) Released in the US as The Creeping Unknown, this British 1955 sci-fi horror film is a landmark of the genre. Based on a popular TV series, it was Hammer Films’ first horror movie and their first major hit film. American heavy Brian Donlevy stars as Quatermass, a bulldozer of a rocket scientist trying to solve the mystery of a returned astronaut being transformed from within by an alien life-force that threatens to release its spores all over London. A dark, unsettling sci-fi thriller that still resonates today.

The crashed Quatermass rocket.

The crashed Quatermass rocket.

The Quatermass Xperiment (1955, UK). Directed by Val Guest. Written by Val Guest & Richard Landau, based on the TV series The Quatermass Experiment, written by Nigel Kneale. Starring: Brian Donlevy, Richard Wordsworth, Jack Warner, Margia Dean, David King-Wood, Lionel Jeffries, Maurice Kaufmann, Thora Hird, Jane Asher. Produced by Anthony Hinds and Robert L. Lippert for Hammer Films and Exclusive Productions.
IMDb rating: 6.8/10. Tomatometer: 92% Fresh. Metascore: N/A. 

Blu-Ray sleeve.

Blu-Ray sleeve.

Ah! Young love. A starry summer night on the rural outskirts of London. A playful couple on their way home from a night on the town tease and giggle as they fall into each other’s arms in the hay. But that’s all the romance and peace we have time for in this movie. Because just as the young lovers settle into an embrace, something comes roaring across the night sky, and from there on this 80 minute movie never once lets up it relentless pace. ‘

”What is that?” asks the boy.

”Is it a jet?” replies the girl.

”That’s no jet!” exclamates the boy, then points to the sky, horrified.

”Look!”

Fear-struck the couple race for safety, getting called into a house by a frightened farmer. ”Dad!” shouts the girls as the trio ducks for cover. There’s a tremendous roar and a crash outside. The roof of the house collapses. All are fine, but dad grabs his rifle and decides to have a look outside, only to be stopped with a dumb-struck look on his face. The camera cuts to his field, where flames and smoke rise, and in the middle of it a huge rocket has crashed nose first into the ground. Continue reading

Timeslip

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(5/10) The last of actress Faith Domergue’s three science fiction movies of 1955 was a British quota quickie. Released as The Atomic Man in the US, it concerns two journalists investigating the case of a radioactive man who gets pulled back from death on the operating table and seems to be out of sync with time, all while his doppelgänger is involved with secret and potentially dangerous nuclear experiments. The sci-fi is underdeveloped, the science laughable and the script flawed, but entertaining and even exciting. Ken Hughes directs solidly and the acting is excellent.

Faith Domergue and Gene Nelson as reporters and lovers in Timeslip.

Faith Domergue and Gene Nelson as reporters and lovers in Timeslip.

Timeslip (1955, UK). Directed by Ken Hughes. Written by Charles Eric Maine. Starring: Gene Nelson, Faith Domergue, Peter Arne, Joseph Tomelty, Donald Gray, Vic Perry. Produced by Alec C. Snowden for Merton Park Studios.
IMDb score: 5.5/10. Tomatometer: N/A. Metascore: N/A.

DVD sleeve.

DVD sleeve.

In 1955 science fiction still hadn’t really caught on with British movie producers. But the trend was pointing upwards. A change happened in 1953 when BBC made the live-aired TV series The Quatermass Experiment (review), in which an astronaut returns from space, and begins mutating into a dangerous alien life-form that he has been infected with. The series became a phenomenon, and soon thereafter British quota quickie companies started making cheap sci-fi movies, such as Spaceways (1953, review), Devil Girls from Mars (1954, review) and Stranger from Venus (1955, review). They were seldom masterpieces, but never complete turds, either. However, with the exception of The Quatermass Experiment (review), it feels like British producers weren’t quite sure about how to handle sci-fi, and often bungled the sci-fi element in favour of weak romantic plots or an over-emphasis on classic film noir trappings. Such is partly the case with Timeslip, which was released as The Atomic Man in the US, but it is nevertheless one of the better sci-fi quota quickies. Continue reading

Creature with the Atom Brain

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(4/10) Cult director Edward Cahn’s comeback film from 1955 has sci-fi favourite Richard Denning tracking nuclear-powered zombies. Screenwriter Curt Siodmak is back at his favourite subject – brains – but it’s not his best script. An exploitation cheapo with major studio backing, this was a gore-fest in the fifties. Today it seems flawed, but still entertaining and competent.

BRAAAAINS!

BRAAAAINS!

Creature with the Atom Brain (1955, USA). Directed by Edward L. Cahn. Written by Curt Siodmak. Starring: Richard Denning, Angela Stevens, S. John Launer, Michael Granger, Gregory Gaye, Linda Bennett. Produced by Sam Katzman for Clover Productions.
IMDb rating: 5.4/10. Tomatometer: N/A. Metascore: N/A.

Poster.

Poster.

”In a sense, this film’s title sums up the appeal of the science fiction/monster movies of the 1950s. It’s lurid, it’s to the point, and it deals with (a) monsters, (b) atomic radiation and (c) intelligence, all within a single exploitable phrase. Creature with the Atom Brain. Run that around your tongue for a while, and imagine yourself a 12-year old”. Thus writes Bill Warren in his fifties’ sci-fi bible Keep Watching the Skies about the film that this review concerns, a cheap exploitation affair from Sam Katzman’s Clover Productions, a subsidiary of mid-level studio Columbia Pictures. And for once, the title actually lives up to the film. Nay, it undersells the film – it should be in plural: CreatureS with Atom Brains!

Creature with the Atom Brain was produced by Katzman himself as the bottom half of a science fiction double feature (I have waited almost three years to get to write that phrase!), alongside Charles Schneer’s and Ray Harryhausen’s giant octopus film It Came from Beneath the Sea, which I reviewed just a few days back. It was written by Curt Siodmak, probably as a commission, and directed by Edward L. Cahn, an industry veteran known for his ability to shoot films fast but competently. In fact, this was his first brush with sci-fi, unless you count a short Our Gang effort from 1940, which involved a robot, but it certainly wouldn’t be his last. Continue reading

The Beast with a Million Eyes

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(1/10) Perhaps Roger Corman’s worst movie of the fifties, this slow-moving super-cheapo really has no redeeming qualities, despite a somewhat clever idea. A group of B-actors run around the Coachella valley trying to look afraid of the friendly animals that are supposed to attack them, controlled as they are by an evil hand-puppet from space, created by Paul Blaisdell for combined material costs of 200 dollars. Love triumphs over the evil that apparently traverses space in a tea kettle.

The monster hand-puppet from The Beast with a Million Eyes, designed by Paul Blaisdell. Never seen this clearly on screen.

The monster hand-puppet from The Beast with a Million Eyes, designed by Paul Blaisdell. Never seen this clearly on screen.

The Beast with a Million Eyes (1955, USA). Directed by David Kramarsky, Lou Place, Roger Corman. Written by Tom Filer. Starring: Paul Birch, Lorna Thayer, Dona Cole, Dick Sargent, Leonard Tarver. Produced by David Kramarsky & Samuel Z. Arkoff for American Releasing Company. Executive producer: Roger Corman.
IMDb rating: 3.4/10. Tomatometer: N/A. Metascore: N/A. 

Poster.

Poster.

Let’s jump right in with the plot on this one. There really is no point in describing it in detail, so here’s the long and the short of it: an incorporeal alien arrives to Earth in a spaceship with the plan of taking over the minds of all its inhabitants. It will start with the animals and then move to feeble-minded humans. Through its host’s eyes it will see everything, and that is why we shall come to know it as THE BEAST WITH A MILLION EYES! This is not a spoiler. This is what the alien itself tells us even before the title sequence. Continue reading

Bride of the Monster

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(3/10) In 1955 legendary producer/director Ed Wood released the first film of his sci-fi trilogy, and to his great satisfaction was able to place aged horror icon Bela Lugosi in the lead. Often considered Wood’s ”best” movie, this low-budget schlocker has to be ingested with a good dose of good-will. The inaptly made film is good for a whole bunch of laughs, but Lugosi plays his mad scientist with great gusto and even has some touching moments, and the movie has a very distinct charm.

Bela Lugosi as Dr. Eric Vornoff in Bride of the Monster.

Bela Lugosi as Dr. Eric Vornoff in Bride of the Monster.

Bride of the Monster (1955, USA). Directed by Edward D. Wood Jr. Written by Alex Gordon and Edward D. Wood Jr. Starring: Bela Lugosi, Tor Johnson, Tony McCoy, Loretta King, Harvey B. Dunn, George Becwar, Paul Marco, Dolores Fuller. Produced by Edward D. Wood Jr. for Rolling M. Productions.
IMDb raring: 4.1/10. Tomatometer: 45% Rotten. Metascore: N/A.

Poster.

Poster.

The fifties were a golden age for filmmakers without money, time or any particular talent. If you could raise 30 000 dollars, conjure up a script and stick a monster in the film, you could almost bet that someone would pick up distribution rights and make their money back, no matter how bad the movie was. There were quite a few hacks who tried their hands at sci-fi programmers, such as W. Lee Wilder or Bert I. Gordon. Roger Corman, who was in truth a very good producer and director, made an art out of making films on almost no money. But for some reason the name that has gone down in history as the king of bad movies is that of Edward D. Wood Jr. or Ed Wood for short. Best known for his ”magnum opus”, Plan 9 from Outer Space (1959), he did once produce and direct a film that had an actual budget and an actual script, and is often considered his best movie, and that is Bride of the Monster. Continue reading