The Neanderthal Man

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(3/10) In a nutshell: Dynamic producer duo Pollexfen & Wisberg bring you this independet low-budget riff on Jekyll and Hyde or The Wolfman, directed by former star director E.A. Dupont. A mad scientist develops a serum which turns his cats into sabre-tooth tigers and decides to turn himself into a Neanderthal man just to prove his theory that the Neanderthal was just as smart as his descendant, homo sapiens. Decent acting and flourishes of directorial style can’t hide the low budget, bad props and make-up and a derivative script with some of the worst science in movie history.

The Neanderthal Man (1953). Written by Jack Pollexfen and Aubrey Wisberg. Directed by E.A. Dupont. Starring: Robert Shayne, Joyce Terry, Richard Crane, Doris Merrick, Beverly Garland, Robert Long, Tandra Quinn. Produced by Jack Pollexfen & Aubrey Wisberg for Global Productions & Wisberg-Pollexfen Productions. IMDb score: 4.5/10

Intro credits of The Neanderthal Man, 1953.

Intro credits of The Neanderthal Man, 1953.

It is interesting how some careers in the film industry can derail completely. German Ewald André Dupont was once one of the most celebrated directors in Europe. Lauded as an expert camera handler and one of the pioneers of sound cinema, with two or three internationally successful German and British films under his belt, he took on Hollywood in 1933, along with the boatloads of other Central European filmmakers fleeing the rise of the Nazis in Germany. But where directors like Fritz Lang or F.W. Murnau became stars in Tinseltown, Dupont went from disappointment to disappointment, at one point even dropping out of direction altogether, and ended his career in a haze of booze with Z-grade schlockers like The Neanderthal Man. Continue reading

Invasion U.S.A.

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(1/10) In a nutshell: One of the true bottom-feeders of the cold war propaganda films, this movie depicts five people who oppose the universal draft seeing USA invaded by the Soviet Union. Despite good talent both behind and in front of the camera, this startlingly dumb movie is singularly boring and consists to a large part of military stock footage and five people talking in a bar. Worth watching perhaps only because of Dan O’Herlihy of Robocop fame and the fact that it features two Lois Lanes.

Invasion U.S.A. (1952). Directed by Alfred E. Green. Written by Robert Smith & Franz Shulz. Starring: Gerald Mohr, Peggie Castle, Dan O’Herlihy, Robert Bice, Tom Kennedy, Wade Crosby, Phyllis Coates, William Schallert. Produced by Robert Smith & Albert Zugsmith for American Pictures. IMDb score: 2.5

New York City getting bombed in Invasion U.S.A.

New York City getting bombed in Invasion U.S.A.

Let’s be clear about one thing: Glenn Erickson of DVD Savant is one of the most brilliant film critics on the internet. But sometimes I am completely flabbergasted by his judgement – like when he uses words like ”well-handled”, ”neatly structured”, ”clever” and ”excitingly assembled” about a film that the rest of humanity agrees is a big giant pile of turds. This film is Invasion U.S.A. To Erickson’s defense, he also calls it ”one of the weirdest political films ever made”, writes that it reaches ”the heights of camp hilarity” and that it is hard ”to be sillier than this movie”. Continue reading