(3/10) In a nutshell: Dynamic producer duo Pollexfen & Wisberg bring you this independet low-budget riff on Jekyll and Hyde or The Wolfman, directed by former star director E.A. Dupont. A mad scientist develops a serum which turns his cats into sabre-tooth tigers and decides to turn himself into a Neanderthal man just to prove his theory that the Neanderthal was just as smart as his descendant, homo sapiens. Decent acting and flourishes of directorial style can’t hide the low budget, bad props and make-up and a derivative script with some of the worst science in movie history.
The Neanderthal Man (1953). Written by Jack Pollexfen and Aubrey Wisberg. Directed by E.A. Dupont. Starring: Robert Shayne, Joyce Terry, Richard Crane, Doris Merrick, Beverly Garland, Robert Long, Tandra Quinn. Produced by Jack Pollexfen & Aubrey Wisberg for Global Productions & Wisberg-Pollexfen Productions. IMDb score: 4.5/10
It is interesting how some careers in the film industry can derail completely. German Ewald André Dupont was once one of the most celebrated directors in Europe. Lauded as an expert camera handler and one of the pioneers of sound cinema, with two or three internationally successful German and British films under his belt, he took on Hollywood in 1933, along with the boatloads of other Central European filmmakers fleeing the rise of the Nazis in Germany. But where directors like Fritz Lang or F.W. Murnau became stars in Tinseltown, Dupont went from disappointment to disappointment, at one point even dropping out of direction altogether, and ended his career in a haze of booze with Z-grade schlockers like The Neanderthal Man. Continue reading