Flash Gordon

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(7/10) In a nutshell: This hugely influential 1936 film serial was more or less the first American outer space adventure brought to the screen. It is high camp, silly and loads of fun, and boasts high production values for a serial, as well as an unusually imaginative and original script, derived straight from the pages of Alex Raymond’s comic strips. That the spaceships are obviously held by strings and the dragons look just like men in rubber and cardboard suits just adds to the fun.

Flash Gordon. 1936, USA. Serial film. Directed by Frederick Stephani, Ray Taylor. Written by Basil Dickey, Ella O’Niell, George H. Plympton, Frederick Stephani. Based on the comic strip by Alex Raymond and Don Moore. Starring: Buster Crabbe, Jean Rogers, Frank Shannon, Charles Middleton, Priscilla Lawson, Richard Alexander, Jack ”Tiny” Lipson, James Pierce, Ray ”Crash” Corrigan. Produced by Henry McRae for Universal. IMDb score: 7.3

Buster Crabbe (middle) and Charles Middleton (right) as Flash Gordon and Ming the Merciless on the cult classic serial Flash Gordon frpm 1936.

Buster Crabbe (middle) and Charles Middleton (right) as Flash Gordon and Ming the Merciless in the cult classic serial Flash Gordon from 1936.

The story of one of the most influential science fiction adventures of all time – Flash Gordon – starts in 1928 with the pulp magazine Amazing Stories. In particular the short stories Armageddon 2419 A.D. and The Airlords of Han, which featured a central character called Anthony Rogers. In 1929 Philip Nowlan and Dick Calkins adapted the character, renamed Buck Rogers, as a comic strip, that soon featured in many of the prominent newspapers in the US, quickly becoming one of the most successful comic strips of all times. The futuristic world of the 25th century with its strange space crafts, jet packs, weapons, robots and designs, the outlandish and quite politically incorrect Mongolian villains, and of course the handsome, brave hero Buck Rogers instantly inspired a whole range of similar science fiction comics. Some failed, others, like Brick Bradford, became highly successful. But few were able to touch the popularity of Buck Rogers – save one, which came hurtling along like a runaway planet Mongo on a collision course with Earth in 1934. Flash Gordon quickly surpassed the popularity of Buck Rogers, and stands to this day as one of the most highly regarded and influential comic strips of all time. Note: I will not be reviewing the 1938 Buck Rogers serial, as it is basically just another Flash Gordon season under a different name – it even starred Buster Crabbe. Continue reading

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Island of Lost Souls

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(9/10) In a nutshell: Island of Lost Souls (1932) is probably the most refined of the sci-fi horror films of the thirties, and probably the best acted. The H.G. Wells tale about a mad doctor trying to create humans out of animals by surgical means is still thoroughly creepy today.

Island of Lost Souls. 1932, USA. Directed by Erle C. Kenton. Written by Philip Wylie & Waldemar Young. Based on the novel The Island of Dr. Moreau by H.G. Wells. Starring: Charles Laughton, Richard Arlen, Bela Lugosi, Kathleen Burke. Cinematography: Karl Struss. Make-up: Charles Gemora, Wally Westmore. Produced for Paramount. Tomatometer: 96 %. IMDb score: 7.6

Charles Laughton as Dr. Moreau being attacked by his creations.

Charles Laughton as Dr. Moreau being attacked by his creations.

”Not to walk on all fours! That is the law! Are we not men?” chants Bela Lugosi in heavy manimal make-up in as scene from the 1932 film Island of Lost Souls, that has since become a classic. Although it is often clumped together with the Universal horror pictures of the time, like Frankenstein (review) and Dracula (both 1931), it was in fact made by Paramount, who also made Dr Jekyll and Mr Hyde (1931, review). In both these Paramount horrors, you can see a sort of refinement and style that was lacking from the Universal pictures, Bride of Frankenstein (1935, review) perhaps being the exception. Continue reading