Cat-Women of the Moon

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2/10 In a nutshell: Surely one of the most inept productions ever to get a theatrical release, this Poverty Row film from bad movie giants Al Zimbalist and Jack Rabin steals its sets and props from other movies and throws science and logic out the window as it presents the first Amazons-in-space film. If you can forgive its ineptitude and fifties sexism, it’s a highly enjoyable so-bad-it’s-good movie. And there’s giant moon spiders.

Cat-Women of the Moon (1953, USA). Directed by Arthur Hilton. Written by Roy Hamilton, Al Zimbalist & Jack Rabin. Starring: Sonny Tufts, Marie Windsor, Victor Jory, William Phipps, Douglas Fowley, Carol Brewster, Susan Morrow. Prodcuced by Al Zimbalist and Jack Rabin for Z-M Productions. IMDb score: 3.6/10

The Cat-Women of the Moon.

The Cat-Women of the Moon.

In the fifties American manhood was threatened. When the men were off fighting WWII, women were called in to factories, retailers and institutions to take their place, and thus keep the wheels of society turning. In the process, many of them found that having a salary of their own greatly improved their freedom and made them independent of a male provider, which had been the norm up until then. As the men returned home, many women refused to let things slip back to the way it was before the war, and were backed up by a growing feminist movement. Suddenly women’s’ liberation was thing again, and companies that could hire women for a lesser salary than men, didn’t necessarily protest. But a lot of men felt threatened by the loosening of their control over women, and a lot of men dominated the media, the entertainment and the advertising industry, and this created a backlash, resulting in what we today loosely refer to as ”fifties values”, where great emphasis was laid on ”traditional” family values, Christianity, which stated that the man was the head of the family, chastity and female obedience. This was one of the driving forces in Hollywood behind an onslaught of ”Amazon Women” films, of which Cat-Women of the Moon is one of the best known examples. Continue reading

Robot Monster

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(5/10) In a nutshell: Often named as one of the worst movies ever made, this 1953 cult gem is actually better than its reputation, despite the super-low budget, the sloppy direction, the non-existent sets, the complete lack of logic and the truly bewildering script. It makes up for this with ambition, imagination and soul, and a huge amount of talent both in front and behind the camera. And an obese robot gorilla in a diving helmet that gets an existential crisis while trying to eliminate the last seven people on Earth with a death ray that shoots soap bubbles.

Robot Monster (1953). Directed by Phil Tucker. Written by Wyatt Ordung (and a shady furniture salesman). Starring: George Nader, Claudia Barrett, Selena Royle, John Mylong, Gregory Moffett, Pamela Paulson, George Barrows, John Brown. Produced by Phil Tucker for Three Dimension Pictures. Tomatometer: 31 %. IMDb score: 2.9

Robot Monster in all his poetic beauty.

Robot Monster in all his poetic beauty.

There are bad movies and then there is Robot Monster – a film nearly as bad and nearly as loved as Ed Wood’s Plan 9 from Outer Space (1959). It is often cited as a ripoff of standard fifties sci-fi films regarding aliens coming to Earth to wreak havoc, but it isn’t all that simple. In 1953 there simply hadn’t been many of these movies made. There was a string of such films released in short succession during the spring and early summer of 1953, but with its release date of June 10, 1953, Robot Monster was definately a forerunner. Continue reading