(5/10) In a nutshell: The first film adaptation of Kurt Siodmak’s influential novel Donovan’s Brain features, for the first time on screen, a disembodied brain asserting its influence on people around it. Well shot and directed for second-tier studio Republic in a gothic noir style, and good acting from Erich von Stroheim and Richard Arlen. Unfortunately the script doesn’t live up to its source material and the film contains ghastly wooden acting from Czechoslovakian ice-skater-turned-studio-boss’-girlfriend Eva Hruba Ralston in her first feature role.
The Lady and the Monster (1944). Directed by George Sherman. Written by Dane Lussier and Frederick Kohner. Based on the novel Donovan’s Brain by Kurt Siodmak. Starring: Vera Hruba Ralston, Richard Arlen, Erich von Stroheim, Helen Vinson, Mary Nash, Sidney Blackmer. Produced by George Sherman for Republic Pictures. IMDb score: 5.1
The early forties were a golden age, in a sense, for really bad B horror movies, many of them featuring German mad scientists, for obvious reasons. One of these, and not at all the worst of them, was The Lady and the Monster. Now, the title is a tad misleading since, first and foremost, the movie doesn’t primarily concern a lady, and secondly, there isn’t really a monster in it. The green one with the claws, depicted on the poster to the right, has nothing at all to do with the movie. One supposes that both the title and the poster were made up simple to lure monster movie fans to cinemas. Continue reading