Day the World Ended

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(2/10) Roger Corman officially directed his first science fiction film in 1955. Seven people hole up in a secluded bungalow after total annihilation in a nuclear war. As personal tensions mount, it is a race to see if the blood-thirsty mutant prowling the valley kills them before they kill each other. Richard Denning leads a capable cast, but the film is done in by a 45-minute deadly boring stretch where nothing at all happens. Paul Blaisdell’s crude mutant costume is fun to look at, but as half the film is padding, there’s just no way of saving it.

Marty the Mutant carrying off Lori Nelson.

Marty the Mutant carrying off Lori Nelson.

Day the World Ended (1955, USA). Directed by Roger Corman. Written by Lou Rusoff. Starring: Richard Denning, Lori Nelson, Paul Birch, Mike ”Touch” Connors, Adele Jergens, Paul Blaisdell. Produced by Roger Corman for Golden State Productions.
IMDb rating: 5.4/10. Tomatometer: N/A. Metascore: N/A. 

Poster.

Poster.

First of all, I’d like to dedicate this post to the memory of actor Mike Connors, who sadly passed away on January 27, 2017, at the age of 91.

Second, I feel I should address the elephant in the room, namely my low rating of this film. Of course, this can probably be partly chalked down to personal taste, but it is rather seldom that I wander 3.5 stars off the IMDb consensus. I have a feeling that some reviewers tend to bump up their assessment of this film based on a notion that it is a trailblazer, and thus should warrant extra points for its ideas, even if they are poorly executed. But this notion is false. Day the World Ended was not the first post-apocalyptic movie – but it was almost certainly the worst at the time it was made. Continue reading

The Beast with a Million Eyes

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(1/10) Perhaps Roger Corman’s worst movie of the fifties, this slow-moving super-cheapo really has no redeeming qualities, despite a somewhat clever idea. A group of B-actors run around the Coachella valley trying to look afraid of the friendly animals that are supposed to attack them, controlled as they are by an evil hand-puppet from space, created by Paul Blaisdell for combined material costs of 200 dollars. Love triumphs over the evil that apparently traverses space in a tea kettle.

The monster hand-puppet from The Beast with a Million Eyes, designed by Paul Blaisdell. Never seen this clearly on screen.

The monster hand-puppet from The Beast with a Million Eyes, designed by Paul Blaisdell. Never seen this clearly on screen.

The Beast with a Million Eyes (1955, USA). Directed by David Kramarsky, Lou Place, Roger Corman. Written by Tom Filer. Starring: Paul Birch, Lorna Thayer, Dona Cole, Dick Sargent, Leonard Tarver. Produced by David Kramarsky & Samuel Z. Arkoff for American Releasing Company. Executive producer: Roger Corman.
IMDb rating: 3.4/10. Tomatometer: N/A. Metascore: N/A. 

Poster.

Poster.

Let’s jump right in with the plot on this one. There really is no point in describing it in detail, so here’s the long and the short of it: an incorporeal alien arrives to Earth in a spaceship with the plan of taking over the minds of all its inhabitants. It will start with the animals and then move to feeble-minded humans. Through its host’s eyes it will see everything, and that is why we shall come to know it as THE BEAST WITH A MILLION EYES! This is not a spoiler. This is what the alien itself tells us even before the title sequence. Continue reading